50 cm x 35 cm, oil on board.
My practice articulates a post-apocalyptic worldview, which combines humanities fading presence with elements from nature to question how long man will live in respect to deep time and to comment on the culpability of our actions against the environment for humans now and humans to come. My recent work uses the traditional medium of egg tempera to create paintings, which integrate illusionary drawing and painting techniques with abstract minimalist surfaces. When viewed collectively, the paintings form a complex web of signification, where bursts of detail, colour and abstract forms add to the overall atmosphere and meaning.
My practice articulates a post-apocalyptic worldview, which combines humanities fading presence with elements from nature to question how long man will live in respect to deep time and to comment on the culpability of our actions against the environment for humans now and humans to come. My recent work uses the traditional medium of egg tempera to create paintings, which integrate illusionary drawing and painting techniques with abstract minimalist surfaces. When viewed collectively, the paintings form a complex web of signification, where bursts of detail, colour and abstract forms add to the overall atmosphere and meaning.
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50 cm x 35 cm, oil on board.
My practice articulates a post-apocalyptic worldview, which combines humanities fading presence with elements from nature to question how long man will live in respect to deep time and to comment on the culpability of our actions against the environment for humans now and humans to come. My recent work uses the traditional medium of egg tempera to create paintings, which integrate illusionary drawing and painting techniques with abstract minimalist surfaces. When viewed collectively, the paintings form a complex web of signification, where bursts of detail, colour and abstract forms add to the overall atmosphere and meaning.
My practice articulates a post-apocalyptic worldview, which combines humanities fading presence with elements from nature to question how long man will live in respect to deep time and to comment on the culpability of our actions against the environment for humans now and humans to come. My recent work uses the traditional medium of egg tempera to create paintings, which integrate illusionary drawing and painting techniques with abstract minimalist surfaces. When viewed collectively, the paintings form a complex web of signification, where bursts of detail, colour and abstract forms add to the overall atmosphere and meaning.
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Main Gallery
50 cm x 35 cm, oil on board.
My practice articulates a post-apocalyptic worldview, which combines humanities fading presence with elements from nature to question how long man will live in respect to deep time and to comment on the culpability of our actions against the environment for humans now and humans to come. My recent work uses the traditional medium of egg tempera to create paintings, which integrate illusionary drawing and painting techniques with abstract minimalist surfaces. When viewed collectively, the paintings form a complex web of signification, where bursts of detail, colour and abstract forms add to the overall atmosphere and meaning.
My practice articulates a post-apocalyptic worldview, which combines humanities fading presence with elements from nature to question how long man will live in respect to deep time and to comment on the culpability of our actions against the environment for humans now and humans to come. My recent work uses the traditional medium of egg tempera to create paintings, which integrate illusionary drawing and painting techniques with abstract minimalist surfaces. When viewed collectively, the paintings form a complex web of signification, where bursts of detail, colour and abstract forms add to the overall atmosphere and meaning.
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